My blog has moved!

You should be automatically redirected. If not, visit
http://www.micheleguieu.com/wordpress/inspiration/
and update your bookmarks.

Pages

Wednesday, September 17, 2008

Oath Ceremony



Kyle is out of town, Milo is not feeling very well (I gave him some medication at 5:30am), Harper has to go to school on time and I have an appointment for the Oath Ceremony at 7:30am downtown I cannot miss... Fortunately, a fairy and her husband came to my rescue and I could leave the house at 6:30 and go to the Oath Ceremony.

I arrive at 7:00, the line is already wrapped around the corner of the building on C street. I would like a coffee! I start waiting. The line grows really fast behind me. As the time goes by, I see people coming and looking in disbelief at the stretched - longer and longer - line: - Oh, no! - Oh, my god -Oh my gosh - I cannot believe it... and other things I do not understand because they are said in foreign languages... People came with family members, kids. It seems I am the only one by myself! At 7:30 the line starts slowly moving, in 15 minutes we get into the building.



Before to enter the room, applicants are separated from the accompanying people who have now to go upstairs and stay there for the whole time remaining. We arrive in a very large room. There, we get in lines and we have to show our N-445 form and our permanent resident card. There are several lines. Some are faster than others. I am a little bit nervous, I went through so many lines during the immigration process that I cannot help thinking it cannot be simple. But it is, the officer takes the form, verify in a list that I am there, takes my resident card, throw it in a cardboard box at his feet, and handle me a leaflet "We, the People", a "message from the President of the United States, a small American flag and a piece of paper with an assigned number to come back later to pick up my certificate of citizenship. Mine is #5.



We have to fill the seats starting with the front rows, the empty seats will soon be all taken.
Now the waiting game starts. We have to wait until everybody gets through the lines to have their N-445 verified. I takes forever - almost two hours. I do not have a book or anything to read! Everybody is very calm.




Finally, by 9:30 the room is filled.


We have some demonstration of folkloric dances by a group of dancers from the international Cottages in Balboa Park. Because today there is a large group of Filipino people, we get some Filipino dances, including the "Coconut Harvest", which is, I have to say, rather silly. We also have some Peruvian dance performed by a young couple and a contemporary Indian dance, performed by a very young girl.


At almost 10:30, the judge enters the room and talks. She says there are 864 people from 81 different countries today who become American Citizens. It is very moving when she says thelist of the countries.
People from each country raise. Countries include Afghanistan, Iraq, Sudan, Jordan, Pakistan, India, China, Syria... There are only 3 French people. When the judge says: "Mexico" 3 quarters of the people raise and scream with joy!


it is the time for the Oath of Allegiance. The right hand on the heart, we all repeat after the judge:
"I hereby declare, on oath, that I absolutely and entirely renounce and abjure all allegiance and fidelity to any foreign prince, potentate, state, or sovereignty of whom or which I have heretofore been a subject or citizen; that I will support and defend the Constitution and laws of the United States of America against all enemies, foreign and domestic; that I will bear true faith and allegiance to the same; that I will bear arms on behalf of the United States when required by the law; that I will perform noncombatant service in the Armed Forces of the United States when required by the law; that I will perform work of national importance under civilian direction when required by the law; and that I take this obligation freely without any mental reservation or purpose of evasion; so help me God."


Then we get some more speakers and some more folkloric dances. It is the end of the ceremony and it is time to go and get our certificate of Naturalization. We get in lines again but it only get a few minutes. "Verify the information on the certificate, tell us if there is a mistake. Sign the certificate at home if you want, but sign the same way you signed your photo which is on the document".


I ask someone who just got hers to take a picture of me inside this room where I will certainly never come back to. It is 11:15 and I am officially an American citizen.


Right outside there is 2 booths to register as a voter. Here's McCain's booth....



And here's Obama's! - No comment!
I am on the list now, I feel like a citizen and it is a great feeling!

Tonight I got a bottle of French Champagne and a collage by Joey Burns from our dear French-American friends (we will drink the Champagne together when Kyle will be back!)!
J'aime bien comment ca commence cette citoyennete Americaine!
:)

Tuesday, September 16, 2008

Tout va Bien



Guillaume Cherel is going back to France tomorrow, his trip is ending and his blog on Liberation's website, too. J'espere que nos chemins se croiseront a nouveau.



My mother and her friend left yesterday. They went back to France too, after three short weeks spent with us in San Diego. On their luggages: travel labels signed "Rebelle" - made especially for them. There is something I will talk about in a few days that I asked Rebelle to make for someone in France. I cannot talk about it before the person gets it!



I took the kids again to the doctor tonight, we left at 6:00 and came back at 8:30. It is the beginning of the school year and they get easily sick after a summer outdoor. At the last minute I had to cancel the meeting about the DADA diner I am organizing with my SDVAN partners. And I canceled the babysitter too.



I am still working on how I will frame the series of monotypes I will show at the gallery Artifact in South Park in a few weeks. I saw different framers, they talked to me about all sorts of different material and of course everything is expensive... I went everywhere.
I am very excited to show that series because it represents an important step on my path. I had a lot of pleasure working on the series in a place which means a lot to me: Santa Fe, New Mexico. It was a special time, and the series is, indeed, very special to me.

In the show at Old Town Gallery inTustin, organized by Patrick Merrill, "Left, right and Center", all the prints will be push pinned on the wall, I like that idea. Speaking about that, I went many times to Kinko's where I printed the two black and white pieces on the cheapest paper. At last I have what I need now and I will be able to ship them soon. Now I am building a special box because the prints have to be rolled - but not tightly - , and I cannot find a tube large enough. So I am making this heavy duty box made of cardboard from a refrigerator I found at a warehouse - by the way it is a very interesting warehouse at grant Street and Sherman Street off of Morena Boulevard in San Diego - they usually have huge cardboards.



Today, at noon, I installed the show "War Days" with Jack Wade at the Cygnet Theatre on El Cajon Blvd: 9 paintings inspired by the Iraq war. It did not take long and I was on time at the school to pick-up the kids. I think it looks good, I really like the idea that the show is in conjunction with the play "Dying City" - which I will go see.



A picture of the (one night!) show at the Union Bank during Ray at Night last Saturday. I shown a series of ten fairly large paintings. At first I did not like the idea to have the paintings on easels but the bank has no wall. Because he space is so big, it nice to be able to see the series with a lot of room around. I like the idea to create a "wall of paintings". I do not have a photo with the whole series.

Tomorrow morning at 7:30 I have the oath ceremony, I am becoming an American citizen!
I will take the form N-445 that I filled, my resident card and my immigration documents with me. I will go there alone, it is weird but it's like that. I am happy anyway, it should be the end of a complicated journey and also I will be able to vote for the first time here.

Monday, September 15, 2008

KAI ONE / Urban Detritus / performance

















Kyle took some nice photos of the performance Saturday at Art Produce. I went there afterwards, unfortunately, but just in time to see what Kai One and Kevin Freitas sprayed/wrote on an acetate film on the main window of the gallery before they took it down.
Here's a picture of the trio behind "Urban Detritus" and a portrait of Kai I took after the performance.


Lynn Susholtz (Art Produce Gallery director),
Kai One and Kevin Freitas



KAI ONE

Urban Detritus
KAI ONE & Kevin Freitas
September 13 - October 12
Art Produce Gallery
3139 University Avenue
San Diego, CA 92104

Sunday, September 14, 2008

KAI ONE (Josh Flood) talks about "Urban Detritus"


Work in progress in the gallery

Thursday, September 11, I decided to go see KAI ONE working on the installation of his show at Art Produce Gallery in North Park. I was there around 9:30. Kai was just starting working but he had already worked a lot the previous days. I did not want to bother him but I was very curious to see the work in progress and to ask him about what "Urban Detritus"-his how at Art Produce- is about. I am impressed by the work, the energy Kai puts in it, the very unique way he mixes the elements which make his vocabulary. I don't know much about his story but through some writings I read I can sense that his life so far (and he is only in his mid-twenties) has not been a quiet journey.
I took some short videos. Here are two of them.









The twins towers are a recurrent theme
in Kai's newest work.











One of Kai's sketch books












On the left, two of Kai's fanzines,
on the right Colossus of The Roads' "memoir"

Urban Detritus
KAI ONE & Kevin Freitas
September 13 - October 12
Art Produce Gallery
3139 University Avenue
San Diego, CA 92104

Tuesday, September 9, 2008

Ray at Night / Saturday September 13



Art Produce Gallery presents
Urban Detritus / Pigment on surface
Paintings by Josh Flood as KAI ONE.

If you are in San Diego, do not miss the opening reception and performance with Kai One and Kevin Freitas, I think it will be extremely interesting!
September 13, from 6 to 9pm. Performance begins at 7pm.
In July 2008, Kai One posted an amazing article in Art As Authority titled "Avoiding Catatonic Surrender".
[...] "I suddenly stopped at a rusted red oxide CNW boxcar and had my first ever epiphany in graffiti. It was awakened inside me by a simple line drawing made with white paint stick. It was a picture of a man with a cowboy hat and had a caption underneath that read “Avoiding Catatonic Surrender”. Suddenly everything made sense. When people would ask why I wrote my name over and over again like a simple child I had the perfect answer: avoiding catatonic surrender. Suddenly my life was okay for a brief moment and all the frustrations and disappointments of real life slipped away as we walked over the jagged rocks and breathed in the dank air. I felt the beads of sweat drip down my face and as I got back into my car I knew that I would never be the same ever again. I asked my little buddy if he knew who did the Avoiding Catatonic Surrender drawing and he said it was The Colossus of Roads."[...]

Art Produce Gallery

3139 University Avenue
San Diego - North Park






Adapta Project and Art As Authority present:
Richard Gleaves and Alberto Gutierrez


"Richard Gleaves the San Diego artist whose shown with Adapta, Art Produce and Simayspace and will be presenting a new installation "Eat".
Alfredo Gutierrez the self-taught Tijuan artist and architect will be presenting his "labio leporino" series plus new works."

4 Walls Gallery

3813 Ray Street
San Diego - North Park





I will have some paintings at Union Bank on University Avenue, just for that night! Please swing by before of after the performance at Art Produce Gallery (I have to find a way to go see the performance too!).

Union Bank - from 6 to 8pm.
2927 University Avenue
San Diego, CA 92104

Monday, September 8, 2008

"It's all about process": Larry Caveney at the Garage


The Garage



Saturday afternoon I went to see Larry Caveney's newest work at the Garage, his own gallery on Alabama Street. It was very interesting to listen to him talking about his work. There was people coming in and out all the time. And so I met Maura Vazakas, who participated in the Obama '08: Art for Change show at the Art of Framing. She also participated in the las Garage's show, which was all about drawings. I also met Rick Hargraves (check his photos and drawings on his facebook's page), Jessica McCambly and John Oliver Lewis. John and Jessica will participate in the next show: it will be about installations "in the corners" of the gallery. As Larry was talking to Jessica, I decided to take a short film of their conversation.









The Garage
141 Alabama Street #4

San Diego, California 92104

Saturday, September 6, 2008

Diana Duval: "Back-Lash" at the SDAI

Friday night, I went to the opening of "Movers ans Shakers" at Art Expressions Gallery. I was there at the beginning and it was already - absolutely- packed. It's good that a project brings together a lot of people from the art scene of San Diego. I hope there will be more projects like that one in the future. I have to go back to Art Expressions to see the show again: I could not see anything Friday!



I could not stay for very long because I promised Diana Duval I would be at the opening of her solo show: "Back-Lash" at the San Diego Art Institute. I know her for a few years: we are both members of the San Diego Art Institute. Friday was the opening of her first solo show. With a group of people I helped her bringing her pieces from her apartment to the Institute. A lot of her pieces are very large - and very heavy with complicated frames she makes herself.
She works in a small apartment which is entirely dedicated to her work. There is art everywhere: materials, art books, stacks of pieces leaning against all the walls, piles of things and papers.



A few years ago Diana had to be amputated after she was diagnosed with a rare form of cancer in her right leg . Not long after that, she lost her apartment and was homeless for two years, living in her car with her dog. She lost everything in her apartment including all her artwork.
When She finally found another apartment through a program which helps disabled people, she started a new series of work, very much inspired by what had happened to her.



It's been 7 years now I believe that she lives in that apartment and she has a build a strong body of work. Diana Duval is an extremely determined artist and she seems never stop working. She always reads about art history, her work is filled with art references. One thing she is interested in is the relation between the painter and the model. Through the times, painters and sculptors had always "used" women as models, putting them in all sorts of positions, very often naked. Diana paints self-portraits, so she is her own model, and includes in almost all her painting a blue -and naked - male figure. She represents herself as an asian, black, caucasian or hispanic woman. She gives to the female figure (her): knowledge (books) and money(rich clothes and interiors). There are some recurrent themes in her paintings like the missing leg, the red shoe. Another theme is the key of the door which opens the house. The key she lost once and she may loose again (if she does not comply with the inspections she has to go through).



Diana always wears black and red clothes, mostly dresses. She shaves some of her black hair and creates hats with feathers, felt, silk. She does not have a prosthetic leg: she says she cannot wear one because it hurts. So she always has clutches.

Because of her terrible physical trauma that she puts in the center of what she creates, she reminds me of Frida Khalo. Also, like Frida Khalo, Diana Duval, although knowing what is going on in the art world, follows a very personal and unique path.

"Back Lash" is a special show, the best solo show I saw at the SDAI in four years (since I am a member). Diana Duval packed the space with paintings and sculptures and -amazingly- it works. I say amazingly because when we brought her paintings to the SDAI, I really believed that there was no way everything would fit in the space...

Her show is extremely colorful, yet somber and disturbing. Diana does not lie, she is there with all her power and it seems that nothing could stop her.

Go see her show and tell me what you think, I am interested to know!

San Diego Art Institute
1439 El Prado
San Diego, CA 92101
(619) 236-0011

watching

Friday, September 5, 2008

Evolution



I saw it on a bumper yesterday, found it funny! It made my day!
(I could not take a picture, I found this one on internet.)

Wednesday, September 3, 2008

Art of Framing: Obama '08 / Art for Change


Obama 2008, acrylic on wood panel, 16"x16"


Obama 2008, acrylic on wood panel, 12"x12"


Group art show - 35 works
Friday, September 5
and Saturday, September 6, 2008 5:00-11:00 pm

My statement for the show
On September 17, 2008, I will become an American citizen; and one of the most important aspects of this citizenship for me is the right to vote. I am especially excited to vote for someone brilliant, different, who makes me hope that a different political view is possible. Above and beyond becoming an American, I feel like being a citizen of the world. I believe Obama can unite people from different horizons and countries to envision, at last, holistic solutions for the problems the Earth is facing right now.

I worked both portraits I present in this show the way I usually work my paintings: starting with a photo, I simplify the image to keep only the essential. Then I proceed with layers of colors.

Art of Framing
3333 Adams Avenue,
San Diego, CA 92116