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Monday, September 15, 2008

KAI ONE / Urban Detritus / performance

















Kyle took some nice photos of the performance Saturday at Art Produce. I went there afterwards, unfortunately, but just in time to see what Kai One and Kevin Freitas sprayed/wrote on an acetate film on the main window of the gallery before they took it down.
Here's a picture of the trio behind "Urban Detritus" and a portrait of Kai I took after the performance.


Lynn Susholtz (Art Produce Gallery director),
Kai One and Kevin Freitas



KAI ONE

Urban Detritus
KAI ONE & Kevin Freitas
September 13 - October 12
Art Produce Gallery
3139 University Avenue
San Diego, CA 92104

Sunday, September 14, 2008

KAI ONE (Josh Flood) talks about "Urban Detritus"


Work in progress in the gallery

Thursday, September 11, I decided to go see KAI ONE working on the installation of his show at Art Produce Gallery in North Park. I was there around 9:30. Kai was just starting working but he had already worked a lot the previous days. I did not want to bother him but I was very curious to see the work in progress and to ask him about what "Urban Detritus"-his how at Art Produce- is about. I am impressed by the work, the energy Kai puts in it, the very unique way he mixes the elements which make his vocabulary. I don't know much about his story but through some writings I read I can sense that his life so far (and he is only in his mid-twenties) has not been a quiet journey.
I took some short videos. Here are two of them.









The twins towers are a recurrent theme
in Kai's newest work.











One of Kai's sketch books












On the left, two of Kai's fanzines,
on the right Colossus of The Roads' "memoir"

Urban Detritus
KAI ONE & Kevin Freitas
September 13 - October 12
Art Produce Gallery
3139 University Avenue
San Diego, CA 92104

Tuesday, September 9, 2008

Ray at Night / Saturday September 13



Art Produce Gallery presents
Urban Detritus / Pigment on surface
Paintings by Josh Flood as KAI ONE.

If you are in San Diego, do not miss the opening reception and performance with Kai One and Kevin Freitas, I think it will be extremely interesting!
September 13, from 6 to 9pm. Performance begins at 7pm.
In July 2008, Kai One posted an amazing article in Art As Authority titled "Avoiding Catatonic Surrender".
[...] "I suddenly stopped at a rusted red oxide CNW boxcar and had my first ever epiphany in graffiti. It was awakened inside me by a simple line drawing made with white paint stick. It was a picture of a man with a cowboy hat and had a caption underneath that read “Avoiding Catatonic Surrender”. Suddenly everything made sense. When people would ask why I wrote my name over and over again like a simple child I had the perfect answer: avoiding catatonic surrender. Suddenly my life was okay for a brief moment and all the frustrations and disappointments of real life slipped away as we walked over the jagged rocks and breathed in the dank air. I felt the beads of sweat drip down my face and as I got back into my car I knew that I would never be the same ever again. I asked my little buddy if he knew who did the Avoiding Catatonic Surrender drawing and he said it was The Colossus of Roads."[...]

Art Produce Gallery

3139 University Avenue
San Diego - North Park






Adapta Project and Art As Authority present:
Richard Gleaves and Alberto Gutierrez


"Richard Gleaves the San Diego artist whose shown with Adapta, Art Produce and Simayspace and will be presenting a new installation "Eat".
Alfredo Gutierrez the self-taught Tijuan artist and architect will be presenting his "labio leporino" series plus new works."

4 Walls Gallery

3813 Ray Street
San Diego - North Park





I will have some paintings at Union Bank on University Avenue, just for that night! Please swing by before of after the performance at Art Produce Gallery (I have to find a way to go see the performance too!).

Union Bank - from 6 to 8pm.
2927 University Avenue
San Diego, CA 92104

Monday, September 8, 2008

"It's all about process": Larry Caveney at the Garage


The Garage



Saturday afternoon I went to see Larry Caveney's newest work at the Garage, his own gallery on Alabama Street. It was very interesting to listen to him talking about his work. There was people coming in and out all the time. And so I met Maura Vazakas, who participated in the Obama '08: Art for Change show at the Art of Framing. She also participated in the las Garage's show, which was all about drawings. I also met Rick Hargraves (check his photos and drawings on his facebook's page), Jessica McCambly and John Oliver Lewis. John and Jessica will participate in the next show: it will be about installations "in the corners" of the gallery. As Larry was talking to Jessica, I decided to take a short film of their conversation.









The Garage
141 Alabama Street #4

San Diego, California 92104

Saturday, September 6, 2008

Diana Duval: "Back-Lash" at the SDAI

Friday night, I went to the opening of "Movers ans Shakers" at Art Expressions Gallery. I was there at the beginning and it was already - absolutely- packed. It's good that a project brings together a lot of people from the art scene of San Diego. I hope there will be more projects like that one in the future. I have to go back to Art Expressions to see the show again: I could not see anything Friday!



I could not stay for very long because I promised Diana Duval I would be at the opening of her solo show: "Back-Lash" at the San Diego Art Institute. I know her for a few years: we are both members of the San Diego Art Institute. Friday was the opening of her first solo show. With a group of people I helped her bringing her pieces from her apartment to the Institute. A lot of her pieces are very large - and very heavy with complicated frames she makes herself.
She works in a small apartment which is entirely dedicated to her work. There is art everywhere: materials, art books, stacks of pieces leaning against all the walls, piles of things and papers.



A few years ago Diana had to be amputated after she was diagnosed with a rare form of cancer in her right leg . Not long after that, she lost her apartment and was homeless for two years, living in her car with her dog. She lost everything in her apartment including all her artwork.
When She finally found another apartment through a program which helps disabled people, she started a new series of work, very much inspired by what had happened to her.



It's been 7 years now I believe that she lives in that apartment and she has a build a strong body of work. Diana Duval is an extremely determined artist and she seems never stop working. She always reads about art history, her work is filled with art references. One thing she is interested in is the relation between the painter and the model. Through the times, painters and sculptors had always "used" women as models, putting them in all sorts of positions, very often naked. Diana paints self-portraits, so she is her own model, and includes in almost all her painting a blue -and naked - male figure. She represents herself as an asian, black, caucasian or hispanic woman. She gives to the female figure (her): knowledge (books) and money(rich clothes and interiors). There are some recurrent themes in her paintings like the missing leg, the red shoe. Another theme is the key of the door which opens the house. The key she lost once and she may loose again (if she does not comply with the inspections she has to go through).



Diana always wears black and red clothes, mostly dresses. She shaves some of her black hair and creates hats with feathers, felt, silk. She does not have a prosthetic leg: she says she cannot wear one because it hurts. So she always has clutches.

Because of her terrible physical trauma that she puts in the center of what she creates, she reminds me of Frida Khalo. Also, like Frida Khalo, Diana Duval, although knowing what is going on in the art world, follows a very personal and unique path.

"Back Lash" is a special show, the best solo show I saw at the SDAI in four years (since I am a member). Diana Duval packed the space with paintings and sculptures and -amazingly- it works. I say amazingly because when we brought her paintings to the SDAI, I really believed that there was no way everything would fit in the space...

Her show is extremely colorful, yet somber and disturbing. Diana does not lie, she is there with all her power and it seems that nothing could stop her.

Go see her show and tell me what you think, I am interested to know!

San Diego Art Institute
1439 El Prado
San Diego, CA 92101
(619) 236-0011

watching

Friday, September 5, 2008

Evolution



I saw it on a bumper yesterday, found it funny! It made my day!
(I could not take a picture, I found this one on internet.)

Wednesday, September 3, 2008

Art of Framing: Obama '08 / Art for Change


Obama 2008, acrylic on wood panel, 16"x16"


Obama 2008, acrylic on wood panel, 12"x12"


Group art show - 35 works
Friday, September 5
and Saturday, September 6, 2008 5:00-11:00 pm

My statement for the show
On September 17, 2008, I will become an American citizen; and one of the most important aspects of this citizenship for me is the right to vote. I am especially excited to vote for someone brilliant, different, who makes me hope that a different political view is possible. Above and beyond becoming an American, I feel like being a citizen of the world. I believe Obama can unite people from different horizons and countries to envision, at last, holistic solutions for the problems the Earth is facing right now.

I worked both portraits I present in this show the way I usually work my paintings: starting with a photo, I simplify the image to keep only the essential. Then I proceed with layers of colors.

Art of Framing
3333 Adams Avenue,
San Diego, CA 92116

Saturday, August 30, 2008

Mood: Kick Ass


Rebelle Boutique:
Rochelle - Claire de Lune - faux watch
"The top is made of fabric and felt, embrodered
with lots of pearl beads and carefully hand stitched
and enhanced with appliqué motifs"


She studied art in la Sorbonne in Paris, travelled and moved a lot, she now lives in San Diego and she is the designer behind "Rebelle et Tais-toi". She creates "a collection of
one of a kind art-clothing" with vintage fabrics, threads, beads, paper, recycled object and materials... On her Etsy website she gives poetic names to each item and describes them with humor, using French and English in a savory mix:
La Neige- Sweet Homy - Felt Pin Broche
La citrouille - Pumpink Home - Felt Pin Broche
Sac a commissions - ACE of club - Tote bag - Green Vegan Shoping bag
etc...

In an interesting post I read in Pretty Little Love Objects, she describes her work: "Conceptually, I am playing with opposites "fashion clichés" like glamour and bad taste, sexy and naïve, old and new, pure and rococo, chic and vulgar, classic and kitsch, tradition and avant-garde and create designs that push the style up to the edge. I like the insecurity that this mix of styles and influences stimulates and makes the result move back and forth between different styles. I am finding my inspiration in the huge catalogue of art history as well as in the street or inTV pop culture."

I was lucky enough the other day to see her collection "for real": I visited her in her home, and I loved what I saw. After we talked for a while about her latest creations, I was excited to ask for a custom order, as she really encourages people interested in her creations to do so. In a few weeks I will discover the object she created for me!
I bought the blue faux-watch and wore it right away. I no longer wear a watch but this one of course is very special - and unique!


Mood: Kick Ass

When I left, she proposed me to choose a "mood pin" within her collection. I don't remember all the different moods, but when I saw "Kick Ass" I knew that was the one I wanted! We laughed. It's on my favorite jacket now.

Bravo Rebelle et bonne route (c'est bien parti on dirait)!

Rebelle Boutique on Etsy

Don't Fake


Spenser Little, "Don't Fake"

I picked up "Don't Fake", the small piece by Spenser Little I bought at Rubber Rose Gallery's last opening night. I love it. It is also a nice memory of a good gallery which, unfortunately, is closing, and of an excellent night.